This pilot project consists of three practical workshops (design and creation of props, masks, and costumes) led by artists and technicians from France, Germany, and Romania. At the intersection of sustainability and the performing arts, the project emphasizes the importance and beauty of the technical crafts that support live performances. Participants will develop practical skills while working with eco-friendly materials. The project will culminate in a capsule exhibition during the Bucharest Scenography Biennale at the Foaier of Studio Hall, in the "I.L. Caragiale" National Theatre Bucharest.

Workshop Structure

• Mask-making using sustainable and recycled materials
  Trainer: Stefanie Romacker (Germany)
• Costume creation with eco-friendly fabrics and recycling
  Trainer: Corina Grămoșteanu (Romania)‍
• Props design – reusing, recycling, and transforming objects into new props
  ‍Trainer: Isabelle Szymaszek (France)

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‍Target Audience

This workshop is open to artists and designers at the start of their careers, with a passion for mask, costume, and prop-making. Interdisciplinary teams are encouraged to apply, particularly those interested in collaborative scenographic approaches.

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‍Note: Participation is free but limited to 10 participants.

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This workshop offers an insightful dive into the world of Stage and Production Management, focusing on the key skills required to manage live performances effectively. Led by industry expert Jacqui George, participants will explore the challenges and opportunities of stage management across various performance settings.

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Workshop Structure

• Roundtable discussion on stage management essentials
• Video presentation showcasing key stage management practices

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Target Audience

This workshop is designed for early-career stage managers, production assistants, and those interested in gaining a deeper understanding of stage management in the performing arts. Whether you’re a student or professional looking to expand your skills, this workshop will equip you with practical tools and insights to succeed in the field.
Note: Participation is free but limited to 10 participants.
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Why Apply?

By participating in this workshop, you’ll have the opportunity to learn from an experienced industry leader with over 25 years of expertise. You’ll gain practical stage management skills, explore the nuances of working in both local and international contexts, and enhance your understanding of collaboration within the performing arts. Whether you're aiming to build a career in stage management or simply broaden your knowledge, this workshop will provide invaluable insights to help you excel in the fast-paced world of live performance production.

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Trainer

Jacqui George has over 25 years of experience in Stage and Production Management, with a particular focus on Conservatoire training. She has worked with professional companies such as National Theatre Wales, National Youth Theatre of Great Britain, and Shared Experience, and has produced work for major international events such as the World Expo and the Berliner Festspiele. Jacqui has taught extensively and is currently writing a book, "The Art of Collaboration," to be published by Routledge. She is currently the Project Director of World Stage Design Sharjah, 2025

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This workshop offers a hands-on experience in puppet creation, using recycled materials such as cardboard from delivery services like Amazon, old newspapers, and other sustainable resources. Led by industry expert Sean Crowley, participants will learn how to design, cut, and assemble puppet bodies from these eco-friendly materials.

Workshop Structure

• Hands-on Practice: Participants will design, cut, and assemble their puppets using recycled materials.
• Group Collaboration: Teams will rotate for each exercise to foster teamwork and diverse communication.

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Target Audience

This workshop is open to artists, designers, and creators passionate about puppetry and sustainable design. Whether you are just starting out or have experience in the field, this workshop will equip you with valuable hands-on skills in eco-friendly puppet-making.

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Why Apply?

By participating in this workshop, you’ll learn practical puppet-making skills using sustainable materials while collaborating with peers in a creative, hands-on environment.

Trainer

Sean Crowley has worked across the design spectrum in film, opera, theatre, and television, designing over 200 productions during his 35-year career. He is currently the Head of Design at the Royal Welsh College of Music and Drama (RWCMD) and has served as Chair of the Society of British Theatre Designers. Sean has led major international design festivals such as World Stage Design and Scenofest at the Prague Quadrennial, and he continues to contribute to the development of future performance practitioners through his work as an educator and practitioner.

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This workshop, led by lighting designer Christine Richier, explores the profound influence of Josef Svoboda on modern lighting design. With her extensive background in lighting history and aesthetics, Christine will guide participants through Svoboda's pioneering techniques and their lasting impact on contemporary theatre. Participants will gain insights into lighting dramaturgy and how to incorporate these visionary methods into their own practice.

Workshop Structure

• Introduction to Josef Svoboda’s lighting techniques
• Exploration of lighting dramaturgy and aesthetics
• Practical demonstrations and applications in modern design

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Target Audience

Ideal for lighting designers, scenographers, and theatre professionals interested in the evolution of lighting in stage design, this workshop offers unique insights into the techniques of one of the most innovative figures in the field.

Why Apply?

Participants will explore Josef Svoboda’s groundbreaking lighting concepts and learn how to integrate these visionary ideas into their own work.

Trainer

Christine Richier is the head of the lighting department at ENSATT (Lyon) and has followed Josef Svoboda’s work closely from 1986 to 1996. A researcher in theatre history and lighting dramaturgy, she is also the author of the film "Josef Svoboda, Récit d'une liberté" (1992) and the book Le Temps des flammes (2012). Christine has worked extensively in lighting design for theatre, dance, and puppetry.